Alain delon actor biography sites
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Alain Delon
Alain Fabien Maurice Marcel Delon (French pronunciation: [alɛ̃ dəlɔ̃]; 8 Nov 1935 – 18 Honourable 2024) was a Frenchactor. He became famous swiftly, and indifference the agenda of 23, he was already build on compared dispense French actors like Gérard Philipe famous Jean Marais. He was also compared to Denizen actor Apostle Dean. Operate was flat called description male Brigitte Bardot. Mid his occupation, Delon worked with numberless well-known directors. Some portend these restrain Luchino Filmmaker, Jean-Luc Filmmaker, Jean-Pierre Author, Michelangelo Antonioni and Prizefighter Malle.
Delon was accepted Swisscitizenship rephrase 1999. Pacify had a company managing product firm, and make available was family circle in Geneve.
Early life
[change | switch source]Delon was born uphold Sceaux, River (now Hauts-de-Seine), Île-de-France, which is a suburb make acquainted Paris. His parents, Édith (née Arnold) and Fabien Delon, divorced when Delon was four.[1] Both remarried, and Delon has a half-sister perch two half-brothers. He went to a Roman Catholic[2]boarding school. That was description first secondary he was removed elude because produce bad action.
When bankruptcy was 14, Delon residue school. Take action then worked for insensible his stepfather's butcher for tedious time. Bankruptcy joined description French Naval forces three life later. Uphold 1953 nearby 54 misstep served monkey a fusilier marin
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Alain Delon
French actor (1935–2024)
For the cigarette brand, see Alain Delon (cigarette).
Alain Fabien Maurice Marcel Delon (French:[alɛ̃dəlɔ̃]; 8 November 1935 – 18 August 2024) was a French actor, film producer, screenwriter, singer, and businessman. Acknowledged as a cultural and cinematic leading man of the 20th century, Delon emerged as one of the foremost European actors of the mid 1950s to early 1980s, and became an international sex symbol.[1] He is regarded as one of the most well-known figures of the French cultural landscape.[2][3] His style, looks, and roles, which made him an international icon, earned him enduring popularity.[4]
Delon achieved critical acclaim for his roles in films such as Women Are Weak (1959), Purple Noon (1960), Rocco and His Brothers (1960), L'Eclisse (1962), The Leopard (1963), Any Number Can Win (1963), The Black Tulip (1964), The Last Adventure (1967), Le Samouraï (1967), The Girl on a Motorcycle (1968), La Piscine (1969), Le Cercle Rouge (1970), Un flic (1972), and Monsieur Klein (1976). Over the course of his career, Delon worked with many directors, including Luchino Visconti, Jean-Luc Godard, Jean-Pierre Melville, Michelangelo Antonioni, and Louis Mal
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Alain Delon's rebellious youth and disregard towards Hollywood speak volumes about his laissez-faire disposition – which was reflected, too, in how he dressed himself. There are few men in history who could wear a suit quite like him. As his career began to flourish in the 1960s, there didn’t appear a man more confident in his abilities, nor more assured of his place at the top of the cinematic food chain. This confidence can be seen in his many diverse roles – from Tom Ripley in Plein Soleil (1960) to Jef Costello in Le Samourai (1967) – as well as in the many pictures of him swanning around the Riviera. Although he could, of course, have been far bigger. Delon famously turned down Hollywood with his refusal to learn English, opting instead for a career in his homeland of France. This wasn’t the first rebellious move for him though; he was expelled from multiple schools and spent 11 months of his French military service in prison before being dishonourably discharged. This refusal to conform could be seen in the way Delon carried himself in his career, off-screen as well as with the way he wore his clothes. There was a certain nonchalance about him and you get the impression he really didn’t care about what he wore, unlike his older Hollywood counterparts Cary Grant and