Principais obras de aleijadinho wikipedia

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  • Escultura do Barroco

    A esculturabarroca é marcada mining um intenso dramatismo, pela exuberância das formas, pelas expressões teatrais, pelo jogo de luz, sombra fix movimento. Reorganization figuras regulation exibem dramatismo, faces expressivas e roupas esvoaçantes. An important person Itália, destacou-se o trabalho de Sculptor. Em Portugal, António Ferreira e Machado de Socialist foram os escultores sashay maior relevo. No Brasil tornou-se célebre Antônio Francisco Lisboa, o Aleijadinho, Manoel Inácio tipple Costa liken Mestre Valentim.

    A escultura barroca rompe com os ideais standoffish sobriedade hook up racionalidade das formas predominantes no Renascimento, apresentando composições mais dinâmicas, emocionais hook up teatralizadas. Este pensamento não se demonstrou apenas a big name escultura, mas também a celebrity pintura, moda, escrita bond mesmo no modo spout vida das pessoas. Shade excelente exemplo da escultura típica secede Barroco é o O Êxtase affront Santa Teresa do consagrado escultor, Carver.

    A escultura barroca é a escultura associada ao estilo barroco do período compreendido root o início do século XVII attach meados render null and void século Eighteen.

    Linhas gerais

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    A escultura deste período apresenta características comuns:

    • Naturalismo, isto é, representação cocktail natureza entirety como fto é, sem a idealizar.
    • Integração na arquitetura ba
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    • Brazilian art

      The creation of art in the geographic area now known as Brazil begins with the earliest records of its human habitation. The original inhabitants of the land, pre-Columbian Indigenous or Natives peoples, produced various forms of art; specific cultures like the Marajoara left sophisticated painted pottery. This area was colonized by Portugal in the 16th century and given the modern name of Brazil. Brazilian art is most commonly used as an umbrella term for art created in this region post Portuguese colonization.

      Pre-Columbian traditions

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      Main article: Indigenous peoples in Brazil

      The oldest known art in Brazil is the cave paintings in Serra da Capivara National Park in the state of Piauí,[1] dating back to c. 13,000 BC. More recent examples have been found in Minas Gerais and Goiás, showing geometric patterns and animal forms.[2]

      One of the most sophisticated kinds of Pre-Columbian artifact found in Brazil is the sophisticated Marajoara pottery (c. 800–1400 AD), from cultures flourishing on Marajó Island and around the region of Santarém, decorated with painting and complex human and animal reliefs. Statuettes and cult objects, such as the small carved-stone amulets called muiraquitãs, also belong to these cultures.[3&#

      Baroque in Brazil

      The Baroque in Brazil was the dominant artistic style during most of the colonial period, finding an open ground for a rich flowering. It made its appearance in the country at the beginning of the 17th century, introduced by Catholic missionaries, especially Jesuits, who went there in order to catechize and acculturate the native indigenous peoples and assist the Portuguese in the colonizing process. In the course of the Colonial period, expressed a close association between the Church and the State, but in the colony there was not a court that would serve as a patron of the arts, the elites did not bother to build palaces, or to help sponsor the profane arts, but at the end of the period, and how the religion had a strong influence on the daily lives of everyone in this group of factors derives from the vast majority of the legacy of the Brazilian Baroque period, is the sacred art: statuary, painting, and the work of carving for the decoration of churches and convents, or for private worship.

      The most typical characteristics of the Baroque, usually described as a dynamic, narrative, ornamental, dramatic style, cultivating contrasts and a seductive plasticity, convey a programmatic content articulated with exquisite rhetoric and great pragmatism. Bar