Pala dei palafrenieri caravaggio biography
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Madonna and Descendant with Ideal Anne (Madonna dei Palafrenieri)
Merisi Michelangelo titled Caravaggio
(Milan 1571 - Port Ercole 1610)
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Name of Object:
Madonna and Child with St. Anne (dei Palafrenieri)
Location:
Rome, Latium, Italy
Holding Museum:
Borghese Gallery
About Borghese Gallery, Rome
Original Owner:
Confraternity of the Papal Grooms, Saint Peter's Basilica; Church of St. Anne
Current Owner:
Italian State
Date of Object:
1605/06
Artist(s) / Craftsperson(s):
Michelangelo Merisi, “Caravaggio” (1571, Caravaggio (Bg)-1610, Port’Ercole (Gr))
Museum Inventory Number:
110
Material(s) / Technique(s):
Oil on canvas
Dimensions:
h: 288 cm; w: 207 cm
Provenance:
Scipione Borghese Collection
Type of object:
Painting
Description:
The painting was conceived as an altarpiece for the Chapel of the Confraternity of the Papal Grooms (who following the abolition of horseback retinues had the privilege of accompanying the Pope during ceremonies) located in Saint Peter's Basilica. Commissioned in 1605, it was delivered shortly afterward and placed on the altar, before being immediately removed and transferred to the nearby Church of St. Anne, protector of the Confraternity.
Caravaggio was paid a meagre sum, which was increased by Cardinal Scipione Borghese, who purchased the canvas for his city residence. This masterpiece was famously refused by the Confraternity, which disapproved
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Madonna and Child with Saint Anne (Dei Palafrenieri)
Painting by Caravaggio
| Madonna and Child with St Anne | |
|---|---|
| Artist | Caravaggio |
| Year | 1605–1606 |
| Medium | Oil on canvas |
| Dimensions | 292 cm × 211 cm (115 in × 83 in) |
| Location | Galleria Borghese, Rome |
The Madonna and Child with St. Anne (Dei Palafrenieri) or Madonna and the Serpent[1], is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms (Italian: Arciconfraternita di Sant'Anna de Parafrenieri)[2] in the Basilica of Saint Peter[3] and taking its theme from Genesis 3:15.[3][4] The painting was briefly exhibited in the parish church for the Vatican, Sant'Anna dei Palafrenieri, before its removal, due to its unorthodox portrayal of the Virgin Mary.[5] There are a lot of reasons why the piece may have been removed, such as the nudity of the child Jesus and the Virgin Mary revealing too much of her breast.[4] The reputation of the model that Caravaggio used to portray the Virgin Mary could be another reason as to why this altarpiece was withdrawn.[6] The altarpiece was sold