Nimai harichandan biography of barack obama

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  • Prataparudra and Chaitanya (3)

    Prataparudra’s disappearance

    According to the Sarasvati-vilasa, Prataparudra had four queens: Padma, Padmalaya, Ila and Mahila. Some other wives are named in other sources. Dibakar Das says in the Jagannatha-caritamrita that the King’s chief queen, who became Jagannath Das’ disciple, was named Gauri Devi. Ishwar Das mentions a queen named Bhanumati, while Sudarshan Das says that he had a queen named Vidyutkanti. Jayananda also mentions a queen named Chandrakala in his Caitanya-mangala.

    According to the Madala-panji, Prataparudra left thirty-two sons at his death. Sarasvati-vilasa names one of these, Purushottam. The Caitanya-caritamrita (3.9.99) and Bhakti-ratnakara (6.65) also speak of Purushottam Jana. (Jänä was the title given to the Orissan crown prince.) Other sources name three other sons: Kalua Deva, Kakharua Deva and Birbhadra Deva. The first two of these had short rules after the death of Prataparudra, lasting only a few months each, while Birbhadra is known to have been the governor of a southern province of the empire. Prataparudra’s daughter Jaganmohini, who was given in marriage to Krishna Deva Raya, has already been mentioned.

    According to the Madala-panji, Prataparudra disappeared thr

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    Authors Ankit Bhati Sir Naveen Sharma Sir

    Editors Shokendra Panwar Rahul Kumar

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  • nimai harichandan biography of barack obama
  • Rare photo exhibition chronicles journey of Odia film music begins

    BHUBANESWAR: A unique exhibition Geeti Chhaya which featured more than 100 rare photographs chronicling the evolution of Odia film music from1950 up to 1986 inaugurated at State Museum here on Wednesday. Culture minister Ashok Panda inaugurated the exhibition that brought to the fore men behind Odia film songs. Flute maestro Pandit Hariprasad Chaurashia, who also directed music for many Odia films, said, “I felt as if I am at heaven.It seemed as if I am living those moments again with some of my favourite people, many of whom are no more. These are rare and valuable photographs and I just cannot express in words how thankful I am to the Film Journalists Forum, who took all the pain to collect and display these photographs.”
    Besides photographs of song recordings the exhibition also has some rare gramophone records of some old Odia movies including those of the first Odia film Sita Bibaha (1936), Sri Jagannath (1950), Nari (1953), Jaydeb (1961), Nua Bou (1962), Manika Jodi (1963) and Kaa (1965). “These photographs have been collected from various sources like film producers, directors, music composers, lyricists, researchers and actors. Some of them are very rare photographs that captured the creative proc