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A History of Rock Music in 500 Songs
Song 176, "Sympathy for the Devil" by the Rolling Stones, part 3: "Every Cop is a Criminal and All the Sinners Saints"
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the third part of a multi-episode look at the song “Sympathy for the Devil” and the career of the Rolling Stones. This episode covers so much though , even though it only takes us from February 1967 through December 1968, that by itself it is one of the longer episodes of the podcast (hence the longer-than-usual delay between parts two and three).
Click the full post to read liner notes, links to more information, and a transcript of the episode.
Patreon backers also have a fifty-minute bonus episode, on “I Think it’s Going to Rain Today” by Randy Newman.
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
Resources
A series of Mixclouds will hopefully be up when the episodes on “Sympathy for the Devil” are all complete.
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Listen/Buy:Apple Music | Tidal
198.
Jean Grae / Quelle Chris: Everything’s Fine (2018)
On Everything’s Fine, Jean Grae and Quelle Chris tackle a range of modern topics—from the mistreatment of black people by the police to the ever-growing influence of Instagram models—through dense skits, outrageous parodies, and sharp rapping. The conversations they begin don’t always reach a conclusion, but they’re thoughtful, and the duo never sacrifices style for substance. Grae is the steady force and more of a traditionalist: She’s technically precise, while Chris is the wild card. But despite their differences, they complement each other perfectly, whether rapping or producing. That balance carries over to their wide array of guests who all rise to meet their energy. Yet, in the end, the album is about Jean Grae and Quelle Chris, who make it clear that they’re not content to be “fine.” –Alphonse Pierre
Listen/Buy:Rough Trade | Apple Music | Tidal
197.
Fatima Al Qadiri: Genre-Specific Xperience (2011)
Few documents of global music this decade were as interesting as the producer Fatima Al Qadiri’s Genre-Specific Xperience, an icy, minimal exercise in translating and flattening microgenres—juke, dubstep, digital tropicália—into a cohesive statement that tied to her in
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