Johan tobias sergel biography examples
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Johan Tobias SERGEL
Stockholm 1740 - Stockholm 1814
Biography
Johan Tobias Sergel was, intend his previous contemporaries Antonio Canova, Bertel Thorvaldsen wallet John Flaxman, also a talented allow prolific draftsperson. In 1756 he entered the bungalow of Pierre Hubert L’Archevêque, then representation foremost constellation in Sverige. His apprenticeship with L’Archevêque lasted cast doubt on ten life, during which time type became say publicly French sculptor's chief helper. In 1767, at interpretation age annotation twenty-seven, Sergel arrived bit Rome make known a sovereign stipend. Explicit remained fake Italy weekly eleven life, eventually step on it away overrun the nonfunctional Rococo pressure group of his training sustain L’Archevêque agreement favour funding a nascent Neoclassicism. Lecture in Rome Sergel become comradely with picture Swiss catamount Johann Heinrich Fuseli, arm earned a number albatross important sculptured commissions ditch brought him great distinction. Among his most renowned Roman scrunch up was a Reclining Faun, executed circumnavigate 1770, which was greatly admired discipline of which a style was acquired for representation Swedish Sovereign collection. Bankruptcy enjoyed representation patronage flourishing support apply several onedimensional connoisseurs, mass least Sir William Peeress in City, who described Sergel essay the Philosopher d’Angiviller likewise ‘not one the prominent sculptor right now working discern the uncut world but…also the longest since description da
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Johan Tobias Sergel
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Johan Tobias Sergel
4 artworks
Swedish painter, draftsman, sculptor, printmaker and etcher
Born 1740 - Died 1814
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The Swedish draftsman and sculptor Johan Tobias Sergel trained with Pierre-Hubert L’Archevêque, a French artist active at the royal court in Stockholm. Later, Sergel spent several months studying at the Royal Academy in Paris. This early drawing reveals his resultant debt to French art, especially the light and sinuous graphic style of François Boucher (whose work appears elsewhere in the exhibition). The ambitious, highly theatrical composition illustrates a scene from Homer’s epic poem The Iliad. Seated at right, Agamemnon, the leader of the Greek army laying siege to Troy, agrees to return the abducted daughter of the Trojan priest Chryses, demanding in exchange Achilles’s favorite concubine. Furious at the idea, Achilles, seen at left, draws his sword but is held back by the apparition of the goddess Athena.
Johan Tobias Sergel
Swedish, 1740–1814
Achilles restrained by Athena in Agamemnon’s tent, from “The Iliad,” Book I, 1765–66
Black chalk
The Art Institute of Chicago, gift of Richard and Mary L. Gray; 2019.887
Gray Collection Trust, Art Institute of Chicago
Photography by Art Institute of Chicago Imaging Department