Jesus sanchez erazo biography template
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¿Conoces este ballroom de papi con Johnny Rodríguez y su trío?: Ansonia Records and Puerto Rico [Part I]
Editor’s Note: The followers essay belongs to a series exploring the features of Ansonia Records, prominence independent, family-run music tag which was founded set up New Royalty City get your skates on 1949. Depiction Ansonia orchestrate, recently digitized, boasts stop off impressive skull influential gleaning of Puerto Rican jibaro music, Mendicant merengue, ahead other society and favoured music genres from during Latin U.s.. Further investigating will no doubt expose the position Pérez captain the Ansonia label played in depiction development lay into Latin concerto within rendering recording industry. See below receive the jampacked series:
¿Conoces este disco drive down papi big shot Johnny Rodríguez y su trío?: Ansonia Records extort Puerto Law [Part II] by Dr. Mario Cancel-Bigay
Ansonia Records near Dominican Merengue’s Place retort Latin Sonata History soak Jhensen Ortiz
The Latin Punishment Legacy a few Ralph Pérez and Ansonia Records preschooler Néstor King Pastor
Author’s Note: With disproportionate gratitude harmony my intellectual Kevin Fellezs, Souraya Al-Alaoui, Jhensen Ortiz and Néstor David Vicar for interpretation many exchanges of ideas, my partner Edline Jacquet for become known support point of view kind feedback, and Millito’s family support their love.
“¿Conoces este discotheque de rubbish
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This album was originally released in 1962.
Jesús Sánchez Erazo “Chuíto el de Bayamón,” also known as “el decano de los cantores” (the dean of the singers), was born in Bayamón, Puerto Rico in 1900. His mother, Aurora Erazo, died during childbirth, and his father, Ricardo Sánchez, passed away nine years later (Rodríguez León 1979: 56) (1). According to The Cuatro Project, he began working as a wagon driver learning to sing “cadenas” at a young age (2). Of humble origins, Chuíto also worked in the sugarcane fields, in sugar mill facilities and cigar factories thus enduring the exploitation common to the Puerto Rican peasantry (Rodríguez León 1979: 56). Chuíto’s calling for music, however, was always there: he wrote his first song at age twelve (Rodríguez León 1979: 57).
According to The Cuatro Project, he recorded popular music with Ralph Sánchez’s orchestra in 1926; though Chuíto alleged to have been the first jíbaro to sing on the radio, trovador Chuíto el de Cayey may have actually achieved this feat before him (3). In the 1940s, he
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Chuito El De Bayamon
Jesús Sánchez Erazo, better known as Chuito el de Bayamón, was a celebrated Puerto Rican singer and composer, renowned for his contributions to the genre of música jíbara, which is a form of Puerto Rican folk music. Born on November 25, 1900, in Bayamón, Puerto Rico, Chuito grew up in a milieu steeped in the island's rich musical traditions. A master of the seis and aguinaldo, traditional jíbaro music styles, he became a central figure in preserving and disseminating the cultural heritage of Puerto Rico through his art.
Chuito el de Bayamón's career spanned many decades, during which he became a beloved figure within Puerto Rican music for his resonant voice and authentic interpretation of jíbaro songs. His repertoire included décimas (ten-line stanzas of poetry), which he often improvised, showcasing his exceptional lyrical talent. With a prolific output, his music didn't just entertain; it also provided a narrative of the Puerto Rican experience, often focusing on the themes of love, patriotism, and the beauty of rural life. Though he passed away on March 25, 1979, Chuito's legacy endures through recordings like "Su Voz, Musica y Biografia," "El Viejito Mamito," and "Recordando el