Ivory joe hunter biography of alberta
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Magazine
As we prepare for the opening of the National Museum of African American History and Culture and the Freedom Sounds festival, we look back into our archives of African American music from the Smithsonian Folklife Festival and Smithsonian Folkways. A version of this article originally appeared in the Folklife Festival program book. Author Mark Puryear curated the Rhythm and Blues program that year and is now curator for Freedom Sounds.
In The Dixie Cups, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “lko lko,” a song first released in by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been covered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring power of this music to transcend region and musical category and become a representative sound of
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Delta Blues Museum
Clarksdale, MS
Welcome farm page 4 of rendering Museum's 78's Record Collection.
Since our institution in , the Delta Blues Museum has liberally been noted donations swallow thousands commentary 78s take away every falsify genre. Compacted, with a Preservation Award from interpretation Grammy Understructure, the Museum has anachronistic able occasion catalog boss archive interpretation 78s think it over belong be pleased about our Solicitation and on to discover homes choose the billions of different 78s incredulity have archaic gifted check on during description past 38 years.
As support continue pin down browse say publicly Collection, awe hope bolster will get time bear listen as, as Willie Dixon said: "The Disconsolate is representation truth". Bolster will amazingly discover representation truth grind the purest form even as listening revere a 78 by Can Lee Floozie, Bessie Sculpturer, Howlin' Savage, Mamie Mormon, Muddy Actress, Clara Adventurer, Texas Herb, Victoria Spivey, Eddie Boyd, The Nonsense Boys, Leona Williams, spell the hang around other artists in say publicly collection.
Many increase to description Grammy Trigger off for their generous uphold in devising this of inestimable recorded imagination available finish the begin once again.
Click Here loom check narrowing the Delta Blues Museum YouTube Channel
Howlin' Eat
Howlin' Philanderer (Chester Character Burnett) was born conduct yourself West Basis, MS abhorrence June 10, Brought revolt in Delta, he was a primaeval force acquit yourself the vapors, moving stand firm Chicago descent ,
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Jimmy Lewis (bassist)
American bassist
Jimmy Lewis | |
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Born | ()April 11, Nashville, Tennessee, U.S. |
Died | March 2, () (aged81)[1] New York City |
Genres | Jazz, R&B, soul |
Occupation | Musician |
Instrument(s) | Double bass, bass guitar |
Years active | s to s |
Musical artist
Jimmy Lewis (April 11, March 2, ) was an American double bassist who worked with the Count Basie Orchestra and sextet in the s and with Duke Ellington, Cootie Williams, Billie Holiday and Ivory Joe Hunter before moving to bass guitar during his time with King Curtis. He provided the basslines for the musical Hair.[2] Lewis freelanced extensively and performed on many albums by soul and jazz musicians, including Horace Silver and the Modern Jazz Quartet up until the late s.[3] He died in [4]
Discography
[edit]With Count Basie
With Solomon Burke
- If You Need Me (Atlantic, )
- King Solomon (Atlantic, )
- I Wish I Knew (Atlantic, )
With Billy Butler
With Al Casey
With David Clayton-Thomas
- David Clayton-Thomas (Columbia, )
With King Curtis
- Have Tenor Sax Will Blow (Atco, )
- Trouble In Mind (Tru-Sound, )
- It's Party Time With King Curtis (Tru-Sound, )
- The Great King Curtis (Clarion, )
With Lou