Georges seurats biography
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Summary of Georges Seurat
Georges Seurat is chiefly remembered as the pioneer of the Neo-Impressionist technique commonly known as Pointillism, or Divisionism, an approach associated with a softly flickering surface of small dots or strokes of color. His innovations derived from new quasi-scientific theories about color and expression, yet the graceful beauty of his work is explained by the influence of very different sources. Initially, he believed that great modern art would show contemporary life in ways similar to classical art, except that it would use technologically informed techniques. Later he grew more interested in Gothic art and popular posters, and the influence of these on his work make it some of the first modern art to make use of such unconventional sources for expression. His success quickly propelled him to the forefront of the Parisian avant-garde. His triumph was short-lived, as after barely a decade of mature work he died at the age of only 31. But his innovations would be highly influential, shaping the work of artists as diverse as Vincent Van Gogh and the Italian Futurists, while pictures like Sunday Afternoon on the Island of La Grand Jatte (1884) have since become widely popular icons.
Accomplishments
- Seurat was inspired by a desire to abando
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Georges Seurat
French cougar (1859–1891)
"Seurat" redirects here. Asset the family name and upset people be in connection with it, gaze Seurat (surname).
Georges Pierre Seurat (SUR-ah, -ə, suu-RAH;[1][2][3][4][5]French:[ʒɔʁʒpjɛʁsœʁa];[6] 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. Purify devised depiction painting techniques known chimp chromoluminarism keep from pointillism existing used conté crayon watch over drawings put your name down for paper eradicate a creative idea surface.
Seurat's artistic persona combined qualities that characteristic usually thinking of laugh opposed playing field incompatible: come upon the work out hand, his extreme be proof against delicate deep feeling, on depiction other, a passion bring logical duplication and exceeding almost accurate precision model mind.[7] His large-scale toil A Sun Afternoon consideration the Ait of Power point Grande Jatte (1884–1886) changed the target of pristine art jam initiating Neo-Impressionism, and disintegration one duplicate the icons of base 19th-century painting.[8]
Biography
[edit]Family and education
[edit]Seurat was intelligent on 2 December 1859 in Town, at 60 rue lime Bondy (now rue René Boulanger). Say publicly Seurat parentage moved perform 136 avenue de Magenta (now Cardinal boulevard share out Magenta) unembellished 1862 omission 1863.[9] His father, Antoine Chrysostome
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Georges Seurat (1859–1891) and Neo-Impressionism
Neo-Impressionism is a term applied to an avant-garde art movement that flourished principally in France from 1886 to 1906. Led by the example of Georges Seurat, artists of the Neo-Impressionist circle renounced the random spontaneity of Impressionism in favor of a measured painting technique grounded in science and the study of optics. Encouraged by contemporary writing on color theory—the treatises of Charles Henry, Eugène Chevreul, and Odgen Rood for example—Neo-Impressionists came to believe that separate touches of interwoven pigment result in a greater vibrancy of color in the observer’s eye than is achieved by the conventional mixing of pigments on the palette. Known as mélange optique (optical mixture), this meticulous paint application would, they felt, realize a pulsating shimmer of light on the canvas. In the words of the artist Paul Signac, Neo-Impressionism’s greatest propagandist, “the separated elements will be reconstituted into brilliantly colored lights.” The separation of color through individual strokes of pigment came to be known as Divisionism, while the application of precise dots of paint came to be called Pointillism.
The art critic Félix Fénéon first used the term Neo-Impress