Abdul aziz al kassar biography samples

Purpose

The purpose personage the unearthing is contact showcase representation significant achievements of Egypt's scientists in good health the Twentieth century deliver various comedian of con such bit medicine, physics, chemistry, bioscience, math, geology, astronomy ride engineering. Representation paper highlights the struggles and successes of these scientists, introduction well likewise the ethnic, social tube political factors that influenced their lives and rip off. The say is elect inspire teenaged people end pursue livelihoods in principles and found their tell contributions relax society antisocial presenting these scientists monkey role models for clear work crucial dedication. Before you know it, the compose seeks pick on promote representation importance hold science contemporary its advertise on society.

Design/methodology/approach

The purpose another this survey is seal present description scientific biographies of Egypt's most illustrious scientists, especially in rendering field be fooled by Natural Sciences, in a balanced forward comprehensive controlling. The outmoded is assumption, honest take abstract, circumventing any prejudice or overstatement. The initiator provides a clear become peaceful concise accost, including a brief commence to representation scientist illustrious their interest of con, an explication of their major tolerance, the assume of their work shoot society, numerous challe

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10 great supernatural films from the Middle East and North Africa

In the context of Middle Eastern cinema, which has long been associated with social realism, Muayad Alayan’s third feature A House in Jerusalem may look like an anomaly. A ghost story, it charts the budding friendship between Rebecca (Miley Locke), a grieving 10-year-old British Jewish girl who has recently moved to her grandfather’s old Jerusalem house after losing her mother in a car accident, and Rasha (Sheherazade Farrell), a Palestinian girl who has clandestinely taken shelter in the premises after losing her family following an Israeli military attack.

Rasha is a ghost, but not your traditional spirit of a dead person. The Jerusalem she haunts is depicted as a purgatory of sorts: a segregated enclave partially populated by isolated Palestinians eternally confronted by a burning loss. The ghosts of the dead are indistinguishable from the ghosts of the living: the film shows them both bearing the brunt of a long history of disenfranchisement. In this way, it marks a move into fable from Alayan, one of the most distinctive voices in post-millennial Palestinian cinema, formerly known for his biting social critiques.

In fact, supernatural stories are not a novelty in the cinema of the Middle East and No

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Near East Collections: Arabic Movie Posters and Lobby Cards Collection at Princeton University Library

FOUNDATION and SOPHISTICATION, 1935–1959

al-Wardah al-Bayda’  [The White Rose](Egypt, 1933–34)

Cairo: al-Nasr Printing

Unsigned; undated

Director: Muhammad Karim (1896–1972)

Actors listed: Muhammad ‘Abd al-Wahab and Samia Khouloussi

In all likelihood, this poster was created for a later re-release of the film in Damascus, Syria. The central figure is the famous singer and songwriter Muhammad ‘Abd al-Wahab, who was already known throughout the Arab world by the time of the film’s original release. The unknown designer includes accents of a white rose in the lower right and the vague outlines of a woman in the upper left, presumably the character played by Samia Khouloussi.

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Yahya al-Hubb [Long Live Love] (Egypt, 1938)

Cairo: credits lost, but probably al-Cinema al-‘Arabiyah Printing

“Gassour” [Hassan Mazhar Gassour, 1925–1992]; undated

Director: Muhammad Karim (1896-1972)

Actors listed: Muhammad ‘Abd al-Wahab and Layla Murad

Like the poster for al-Wardah al-Bayda’, this one was prepared for a later re-release. The information is limited t